“Punk is the remedy for my sickness,”
states Dolly Zilhan during the documentary The
Punks Are Alright. Dolly works in a factory in Indonesia producing wires
for a meager salary of only a couple of dollars an hour. His wires then are
used to produce electronics and other items sold at incredibly higher prices
than that which Dolly actually receives. Here in America, we are blinded by
living on the good end of capitalism. People living overseas, in places like
Indonesia where large corporations often find cheap labor, truly feel the brunt
of capitalism. There are no labor laws, therefore the people are not treated
fairly, leading to their feeling of inability to escape economically-strained lives.
However, Dolly found a release through a punk album that reached him from
Brazil, which in turn was inspired by a punk band in Canada. Punk provides an
emotional escape for the Indonesians as well as other oppressed people. Punk is
an ideology that cannot be strictly defined in terms of a genre of music, but
rather must be seen as a lifestyle for those who wish to rebel against
capitalism and fundamentalism.
Dolly Zilhan and Henrike Baliv both feel
the frustration of living in inescapable poverty and both find a fleeting sense
of empowerment through punk. Henrike Baliv lives in Brazil where, similar to
Dolly and other Indonesians, the natives face extreme economic hardship. The
economic struggle for people in these areas often stems from capitalism: people
from the first world taking advantage of the needs of the people from the third
world in order to satisfy their own wants. Henrike used to teach in a school in
Sao Paulo, where the kids and the parents both were welcome to come and learn
in order to make their lives better. Henrike taught kids from troubled
households with pasts haunted by drugs and rape. Henrike used punk music to
save those kids. If the kids were playing music, then they were not on the
streets. Participating in punk music kept them alive by giving them something
else to do with their lives besides trafficking drugs. Henrike discovered punk
music secondhand from a Canadian band known as the Forgotten Rebels, forming
his own band known as the Blind Pigs. The cycle then repeated itself when Dolly
discovered the Blind Pigs’s music, writing to Henrike and receiving a copy of
their album through the mail. Punk united these people through the outlet it
provided to fully express their angst and frustration of living oppressed
lives.
Not only do these people live
economically-stressed lives, they also face the struggle of living in limbo
between the Western and fundamentalist worlds. Both Brazil and Indonesia are
extremely religious countries: one being largely Catholic and the other being
largely Muslim. They live in fear every day, unsure of what violent occurrence might
take place next, unsure if a bomb might explode over their house. They are
unable to participate in the ideals of Western culture for fear of what may
come if they stray away from fundamentalist beliefs. They hold on to their
religion because it is all that they have left, but at the same time it seems
to be what creates the most conflict in their societies. It is interesting to
see how two communities, whose religious beliefs make them seem vastly
different, are united by punk and the collective anger it expresses.
Another thing I found so interesting is how such an in-your-face kind of lifestyle and genre of music has such an open and welcoming following. These three different punk bands represented in the movie all felt connected to each other from miles away. They all found comfort and understanding through the punk bonds they shared. They tried to do things to repay the others for helping them discover this emotional outlet. And when we discussed mosh pit at a punk concert, it was fascinating to hear that every person looks out for each other. Punks are not interested in bringing people down. They are interested in mutual acceptance, mutual understanding, and the meeting of mutual need. As confrontational as punk may seem, it is just as good at bringing up other people in similar situations.
This documentary gave me a completely new
perspective on punk music and the lifestyle in general. I have never really
been a fan of punk music; I do not enjoy the screaming of lyrics, the chaotic
and violent sounds of the music. But after watching this movie and discussing
this topic in class, I see how punk music really serves a purpose to those who
feel powerless and feel without control over their own lives. I have never
experienced anything like the people in Brazil or Indonesia, and I may never
experience anything like that for the rest of my life. Living in America, I
have religious freedom, I have political freedom, and I have the ability to
make my life better if I choose to work hard. But no matter how hard the people
of these third world countries work, no matter how closely they abide by the laws
and guidelines of their nations and societies, they still live in fear and they
still live in oppression. I have been through tough situations in my life, but what these people go through, day in and day out, completely
surpasses any hardship I could ever face. And on top of that, I support this
system that suppresses them every time I spend a dollar on some mass-produced
good. The reason I am able to get such a good price on something is essentially
due to the fact that people like Dolly are getting paid less and less. But then
that brings the question to mind that if I did not spend my money on these
items, how would they earn a salary at all? Capitalism is a difficult situation for me
to understand, and one that would take an immensely large amount of time, cooperation,
and patience from all around the world to fix. And right now, progress and collective, global action in favor of the third world seems to be nonexistent. But after discussing punk, I have a
new appreciation and admiration for the music and the lifestyle in light of how it empowers
the people lowest on Earth’s totem pole.
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